As Director of Engineering, we delivered for the Financial News Network at a moment's notice. An episode delivered to air the same day.

The days before Drones, this is how it was done. Very expensively I might add, but done well. This is the Dual-Link Digital HiDef version of CineFlex.

Tilt, Pan, Zoom and Focus while flying at 120 mph following a subject.

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35mm Film production. Nothing looks better than a 35mm print. That's when you have the budget and know-how to get to the finish line.

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A Keri Hilson video where we had to edit playback as we shoot, then projected edited playback image on a 10K projector to be shot on 35mm film.

Ultimatte 12 done the right way, as it should. Done through the camera with Key, Fill and Composite recorded separately.